Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Nouy, Jean Lecomte du
Adolphe Cremieux
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ID: 19661

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Nouy, Jean Lecomte du Adolphe Cremieux


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Nouy, Jean Lecomte du

French, 1842-1923 was an orientalist French painter and sculptor. He was Charles Gleyre's and Jean-Leon Gerôme's pupil. A Paris street was named after him in 1932.   Related Paintings of Nouy, Jean Lecomte du :. | Self-portrait | lllustrationer till asbjornsens och moes norska folksagor och aventyr | Das Ballvergnegen | Landscape of Obersdorf. | The bird Simurgh carries the child Zal aloft into the mountains |
Related Artists:
ZUCCARELLI Francesco
Italian painter, Venetian school (b. Pitigliano, 1702, d. 1788, Firenze) Florentine landscape painter and decorator. He twice visited London, where he decorated the Opera House and was well known through popular engravings of his scenes on the Thames. He was a charter member of the Royal Academy. His facile paintings of landscapes with ruins and small figures are best seen in Windsor Castle and in the Academy, Venice.
RICCI, Marco
Italian Painter, 1676-1730 Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,
BALDOVINETTI, Alessio
Italian Early Renaissance Painter, 1425-1499






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